Miranda Fine Arts Contemporary Art Gallery
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Patricia Miranda

Resume

Awards

2004-05 Westchester Arts Council/WESTHAB National Endowment for the Arts NEA Grant, Multidisciplinary Story Arts program. 1-year program grant working with homeless children in 2 shelters in Westchester County. Total 10 artists including theatre, dance, music, visual art and culminating in video documenting process and program. One of two visual artists chosen.
2001 Vermont Studio Center, Johnson VT, Full Fellowship; Four-week residency, January
1996 Sullivan County Museum, Hurleyville NY; Award of Excellence
1991 School of Sacred Arts, New York, NY; Scholarship

 

Professional Experience

1991- present Founder and Gallery Director, Miranda Fine Arts, Port Chester, NY; Founded 1991, expanded to full gallery in 2000. Specializing in contemporary emerging and established artists.
2003-04 Co-founder and Gallery Director, Henaine Miranda Contemporary Art Projects, Gallery/Art Center, Port Chester, NY
2001-present Co-Founder, Loftarts, a network of artists, galleries, curators and educators offering unique opportunities to view, perceive, and experience art through arts education, exhibitions, lectures, gallery talks.
2000-03 Co-Chair Education committee, The Cathedral Church of St. John the Divine, Congregation of St. Saviour, NYC; developed and instituted ongoing dynamic, inclusive, multicultural, and environmentally focused programs for adults and children.
1996- 2003 Organizer, Landmark Lofts Annual Open Studios, Port Chester, NY; Annual studio tour involving entire loft building,
1992-2001 Co-Founder and Board member, The Gabriel Guild, An arts and education organization dedicated to ancient techniques. Founded in 1992 to research, teach and exploit ancient techniques, methods, concepts as contemporary artists.

 

Professional Associations

2004-present Arts Council Committee, Cathedral Church of St. John the Divine, New York, NY
2004- present Concordia College Art Gallery Advisory Group, Concordia College, Bronxville, NY
2002-present Advisory Board, Katonah Museum Artist's Association, Katonah Museum of Art, NY
2001-present Board of Trustees, The Society of Gilders, international organization dedicated to the gilding arts, including fine arts, frame making, restoration, and conservation.

 

Independent Curating

2004 Westchester Arts Council, White Plains, NY; Co-curator, "Resonant Organic" 10 Artists of Katonah Museum Artist Association
2004-1996 Cathedral Church of St. John the Divine, New York, NY;"Crafts at the Cathedral," co-juror
2002 Westchester Community College Lady Bird Johnson Gallery, Valhalla, NY;"Visions of Nature" co-juror
2001 Manhattanville College Library, Purchase, NY; Co-curator, "The Art of Illumination; Medieval to Modern," 13 artists
1998 Taci, New York, NY; Curator, Kathleen Zazzaro, Solo Exhibit
1998 Armonk Art Show, Armonk, NY; Juror
1993 Cloister Gallery, Houston, TX; Co-curator, The Gabriel Guild
1993 Graphic Pleasures Gallery, Larchmont, NY; Co-curator, The Gabriel Guild

 

Education

1987-91 School of Sacred Arts
1985 BFA SUNY Purchase

 

Exhibitions, selected *solo exhibitions

2005 Castle Hill, Truro Center for the Arts, Truro, MA
*2004 The Meeting House, Bedford Village, NY
*2004 The Church of St Mary the Virgin, NYC, NY
2004 New Arts Program, Invitational, Kutztown, PA
2004 Westchester Community College Art Gallery, Valhalla, NY
2004 Lamia Ink at Sakai City Municipal Museum, Sakai City, Japan
2004 Kenise Barnes Fine Art, Larchmont, NY
2004 Westchester Arts Council & The Katonah Museum Artist Association, White Plains, NY
2004 chezTGN, Gallery, Brooklyn, NY
2003 Pfizer Inc., Purchase, NY
2003 NY Arts, Soho, NYC
2003 Kenise Barnes Fine Art, Larchmont, NY
2003 Rye Arts Center, Rye, NY
2002 Pfizer Inc., Purchase, NY
*2002 Wave Hill, Bronx, NY
2002 Cape Museum of Fine Art, Cape Cod, MA *catalog
2002 Lamia Ink at Sakai City Municipal Museum, Sakai City, Japan
*2002 The Meeting House, Bedford Village, NY
2002 Kenise Barnes Fine Art, Larchmont, NY
2002 Westchester Community College, Valhalla, NY
2002 Lamia Ink, Chelsea, NYC
*2001 The Meeting House, Bedford Village, NY
2001 Fulton Street Gallery, Albany, NY
2000 The Gibbes Museum, Charleston, SC
2000 Manhattanville College, Purchase, NY
2000 Visions Gallery, Albany, NY
1999 Katonah Museum Art Association, Katonah, NY
1999 Carrie Haddad Gallery, Hudson, NY
1999 Greenwich Art Society, Greenwich, CT
1998 Neuberger Museum Tour, Selected Artist; Port Chester, NY
1997 Westchester Philharmonic Studio Tour, Port Chester, NY
1996 Tertoen Explorations, Tribeca, NYC
1996 Sullivan County Museum, Hurleyville, NY *award
1996, 95, 94 Dieu Donne Papermill, Soho, NYC
1995, 94, 93 Atlantic Gallery, Soho, NY
1993 Cloister Gallery, Houston, TX
1993 Graphic Pleasures Gallery, Larchmont, NY

 


Educational Programs Workshops, Lectures, & Demonstrations

Adult Programs
Museum Programs

2004 Wave Hill, Bronx, NY Illumination & Gold Leaf, workshop
2002 The Berman Museum of Art at Ursinus College, Collegeville, PA; Artist Roundtable
2002 Wave Hill, Bronx, NY; Illumination & Gold Leaf, workshop
1997 The African Museum, Soho, NY; European Manuscript Techniques, series: lecture and demo, with Gabriel Guild
1995 The Metropolitan Museum of Art, New York, NY; Medieval Manuscript Illumination, series: 2 lectures, w/ K. Gorst
1995 The Metropolitan Museum of Art, New York, NY; Medieval Manuscript Illumination, demo w/ K. Gorst
1994 The Cloisters Museum, NYC; Medieval Women Artists & Their Role in Manuscript Production, Conference for teachers, w/K. Gorst
1992 The New York Public Library, New York, NY; The Middle Ages, demo

 

University, Community, Private Programs

2003- 2005 Castle Hill, Truro Center for the Arts, Truro MA; Egg Tempera Painting, Fresco, Manuscript Illumination
2004 The Church of St. Mary the Virgin, NYC; Icon Painting workshop
2004, 03, 1999, '98 The Cathedral Church of St. John the Divine, New York, NY; The Spiritual Practice of Art, Icon Painting
2003 Purchase College, Purchase, NY; Career Panel
2003 Isabel O'Neil Studio, NYC, NY; Egg Tempera & Panel Painting
2002 Miranda Fine Arts, Traditional Artist Techniques
2000, 1999, '98 The Society of Gilders, Annual Conference, Manuscript Illumination, Techniques and History, Gilding
2000 The Society Of Gilders, Annual Conference, Manuscript Illumination, Techniques and History, lecture
2000-1996 Medieval Conference, Newcastle, PA; Processes of Manuscript Illumination in the Middle Ages
1999 Cathedral Church of St. John the Divine, New York, NY; Praying with Icons, lecture
1998 Park Avenue Christian Church, New York, NY; Art & Spirit; A Workshop in Icon Writing
1998 Park Ave Christian Church, New York, NY; The Visual and Historical Symbolism of Byzantine Iconography, lecture
1998,'97 Baggot Leaf Company, Soho, NY; Manuscript Illumination, Panel Painting, Manuscript Gilding
1997-93 The Gabriel Guild Studio, Port Chester, NY; ongoing workshops in ancient art techniques
1996 Dieu Donne Papermill, Soho, NY; Gold Leafing on Handmade Papers, demo, with The Gabriel Guild
1995 Kate's Paperie, Soho, NY; The Paper Chase, demo
1992 Fordham University, New York, NY; Conference on Religion and The Arts Images of Belief and Unbelief, demo

 

Youth & Family Workshops
Museum Programs


2004 The Solomon R. Guggenheim Museum, NYC; Family workshop, Create Aztec Manuscript
2004 Wave Hill, Bronx, NY; 2 day Family program, Purple Petal Paint- Making Paint from Iris flowers, 300 attendants over 2 days
2002 Wave Hill, Bronx, NY; 2 day Family program, Making Paint from Nature, Create paint from stones, bugs, flowers
1997 The African Museum, Soho, NY; Family workshop; hands-on, paint-making, gold leaf, with Gabriel Guild
1995 The Katonah Museum, Katonah NY; Family workshop, hands-on paint-making, gold leaf, with Gabriel Guild
1995 The Metropolitan Museum of Art, NYC; NY; Family workshop, hands-on, paint-making, gold leaf, with K. Gorst
1992 The New York Public Library, NYC, NY; Demonstrations of full medieval scriptorium

 

School & Community Residencies

2004-05 National Endowment for the Arts Grant Westchester Arts Council/WESTHAB See Awards
2004 Ethical Culture Fieldston School, NYC; Entire 4th grade, Maya Codex, Create all paints and inks on bark paper upcoming
2004 Union Child Daycare Center, Greenburgh NY; 8-week program, ages 3-4
2004 Spring & Fall, Dalton School, NYC, NY; 4-day program, Entire 7th grade, 110 students. Create Manuscript page, make all paints from original sources, gild with 22k gold leaf, on genuine sheepskin parchment. Total integration with curriculum, designed with 3 teachers & school liaison to Museum of Natural History, NYC.
2004, 03 Dalton School, NYC NY; 4-day program, 3rd grade, 3 classes, 54 students. Create Aztec, European & Persian manuscripts, on bark paper, sheepskin parchment & paper. Create all paints & gild with 22k gold. Includes archeological dig where students find buried Venetian artists materials. Total integration with curriculum, via 3 teachers & school liaison to Museum of Natural History.
2004, 02, 01 The Children's School, Stamford CT; Children ages 3-7 years, Entire school, 100 students. Paint-making workshop.
2004, 03 Castle Hill, Truro Center for the Arts, Truro MA; 2-day Illumination workshop, drawing, gilding, paint-making, ages 10+
2004, 03, 02 Manhattan New School, NYC, NY; Entire 4th grade, @100 students, Ink-making, from oak galls
2004, 03, 02, 01 Harrison Ave School, Harrison NY; Entire 1st grade, 100 students, Paint-making, Gold Leaf
2003, 02, 01 Scarsdale Arts Camp, JCC, Scarsdale; NY; 8 week program ages 9- 14, Illumination class making handmade book, all materials created from original natural sources, including oak gall ink, malachite, saffron, cochineal paint, use of 22k gold leaf.
1995-2005 Helen Keller Middle School, Easton CT; Entire 6th grade, approx. 100 students, 4 instructors, calligraphy, paint-making from original sources, gold leaf, bookbinding.
2003, 02, 01 Convent of the Sacred Heart, Greenwich CT; 5th grade, Paint-making from original sources, Calligraphy
2003 Cranbury School, Norwalk CT; Entire 5th grade, Ink-making
2002 Cranbury School, Norwalk CT; Entire school- 1st grade through 5th grade, 5-day workshop, paint-making
2002 Kenise Barnes Fine Art, Larchmont, NY; Making Paint from Flowers, ages 6 & up
2003, 02, 01 Harrison Ave School, Harrison, NY; Entire 3rd grade, @100 students, paint-making, gold leaf, 2 instructors
1997, 96, 95 Greenwich Academy, Greenwich CT; Gold Leaf, Calligraphy, Paint-making, 3 instructors, approx 67 students
1999 Siwanoy School, Pelham NY; Boces Program, 2nd grade, 2 instructors, ink & paint-making, gold leaf, bookbinding
1999, 98 The Mustard Seed, South Norwalk CT; After School program, paint-making
1999, 98 Cos Cob Elementary School, Cos Cob CT; grades 3-5, After School program, paint-making, gold leaf
1999 Glenville School, Glenville CT; After School Program, paint-making, gold leaf
1999, 98 Harrison Ave School, Harrison NY; After School Program, grades 3-5, paint-making, gold leaf
1998 Mead School, Stamford, CT; Semester-long program for entire school, grades 1 - 8. Supplanted regular art curriculum by student choice. Manuscript pages completely created by students. Culminated in exhibition of student manuscripts at Stamford Mayor's office.
1996 Felix Festa Middle School, West Nyack, NY; 6th grade, 236 students, 3 instructors, paint-making, gold leaf, calligraphy
1997, 96 Westlake Middle School, Thornwood, NY; 125 students, 2 instructors, gold leaf, calligraphy1996 Hewlett High School, Hewlett NY; special needs teenagers; hands-on, paint-making, gold leaf, bookbinding

 

Publications

Visual Art
1999 Inkwell Magazine, Manhattanville College, cover painting, Winter
1998 Convergence Magazine, cover painting, September

Poetry
1999 Inkwell Magazine, Manhattanville College, "Alone with the Almost Man," Winter Issue
2001 Wild Angels Anthology, Cathedral of St. John the Divine Writers Group, New York, NY; three poems

Articles authored
2005 Journal of The Society of Gilders, Binders of Medieval Illumination, co-authored with R. Asplund
2004, 03 Iconofile ejournal, 2 articles, republished
2000 Journal of The Society of Gilders, "The Art of Manuscript Illumination," Spring Issue
1998 Journal of the Society of Gilders, "Gilding in Sacred Art," Winter Issue
1998 Convergence Magazine, "Illumination of the Spirit," with Suzanne Fageol, September Issue
1992 Ave; Journal of The Gabriel Guild, "The Making of Iron Gall Ink & The Spirituality of Ink Making," with K. Gorst, Vl, Num. 1
1993 Ave; Journal of The Gabriel Guild, "Notes on Gilding," V1, Num. 3,"Medieval Manuscript Making," V1, Num. 3

Reviews, Articles
2002 The Cape Cod Voice, Ellen LeBow, V 2, No. 11
2001 Stamford Advocate, Jonathan Wills, April 7
2000 New York Times, William Zimmer; December 24
2000 New York Times, William Zimmer; January 2
1999 Rye Record, Sandra Lubliner; September
1999 Greenwich Times, October 11
1998 New York Times, Roberta Henderson; November 1
1996 Port Chester Guide, Timothy Lamorte; June 19

 

Corporate Collections

Bank of America


 

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